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Phase 7 (2010)

Vivendi Entertainment
DVD Released: 10/4/2011

All Ratings out of
Movie:
1/2
Video: 1/2
Audio:
Extras:

Review by Mike Long, Posted on 10/11/2011

OK, let's go ahead and get one thing clear before we move on: Phase 7 is not a zombie movie. In a world where zombie movies have over-run direct-to-video releases, another one would be the last thing that we need. Despite the fact that the DVD cover art sort of implies a zombie movie, Phase 7 does not fall into that category. The cover art does state that the movie is "Shaun of the Dead meet [Rec]. This isn't entirely untrue, save for the fact that Phase 7 is nowhere near as good as either of those movies.

Phase 7 opens with young couple Coco (Daniel Hendler) and Pipi (Jazmin Stuart) grocery shopping. As they leave the store, they are oblivious to the throngs of people heading into the market. Pipi is quite pregnant, and she has issues with the fact that Coco is a lazy slacker. Once back at their apartment, they learn from the TV news that there has been an outbreak of a highly contagious disease, and citizens are urged to stay home. Not long after this, government officials come by to inform the tenants of the apartment complex that their building has been quarantined. Zanutto (Federico Luppi), a high-strung man, is clearly bothered by this, but Horacio (Yayo Guridi) takes it in stride. Trapped in their apartment, Coco and Pipi try to make the best of the time, reading and playing board games. But, as supplies begin to run out, it becomes clear that their neighbors may be very desperate and dangerous people.

It's not unusual for foreign films to take an idea which is familiar to Western audiences and add a different or culturally influenced slant to it. And, at the outset, that appears to be exactly what the Argentinean Phase 7 is going to do. The film approaches the well-known pandemic idea, which has been explored in films like Outbreak and the recent Contagion, and shrinks it down to one apartment. And in this apartment live a couple who don’t always get along. Although we don’t get a lot of evidence to support this, Pipi appears to be a Type A. Coco is clearly a Type B, as he can’t even be bothered to test the light bulbs before they buy them at the market. He has a penchant for heavy metal t-shirts and clearly shirks responsibility. When they learn that they are quarantined, Coco jumps into action, making an inventory of all of their food. Still there are things which he misses and this leads to some humorous moments, most notably his solution to the light-bulb issue.

Phase 7 does a great job of exploring these ideas and the relationship between Coco and Pipi when it suddenly decides to change and become just another epidemic movie. Now, as noted above, Phase 7 is not a zombie movie, nor does it fall into the category of films like [Rec] or 28 Days Later, where the infected become violent and strong. No, here, the sick simply die. It’s the uninfected who are the danger. The tenants in the building are armed, and the quarantine continues, they become more protective and paranoid. The leads to violent clashes between Coco and his neighbors. I realize that the story had to go somewhere, but the second half of Phase 7 loses every ounce of originality felt in the first half. As Coco becomes more responsible and jaded, the movie become more heavy-handed and dull. The third act becomes very cliche-ridden and you’ll feel as if you’ve seen it all before.

The film comes Nicolas Goldbart who is making his debut as a writer/director. His previous work had been in editing, which I find interesting, as the pace in Phase 7 gets a little slack at times. Overall, he’s done a fine job shooting the movie, but one shot near the end, which is clearly meant to fill us with dread, doesn’t work as the angle is all wrong. Composer Guillermo Guareschi was clearly influenced by John Carpenter, as much of the score sounds just like the music from Escape from New York.

I was initially drawn into Phase 7 and I loved the dynamic between Coco and Pipi because it felt so real. However, the second half of the film loses this momentum. It’s interesting to note that this is the fourth DVD release from a film series through Bloody Disgusting and The Collective, and it’s the second to deal with people being trapped in an apartment during an emergency, the first being Rammbock.

Phase 7 taught me that they have Froot Loops in Argentina on DVD courtesy of Vivendi Entertainment. The film has been letterboxed at 2.35:1 and the transfer is enhanced for 16 x 9 TVs. The image is sharp and clear, showing on distracting grain and no defects from the source material. The film’s opening demonstrates how great the colors are, most notably reds and greens. The image is never overly dark or bright. The picture does get a bit soft at times, but there is very little noise or artifacting. The DVD carries a Dolby Digital 5.1 audio track for both the Spanish and English tracks. The track provides clear dialogue and sound effects. This is an interesting track, as the effects grow during the film. The first act is rather quiet, but during the third act, when shots are being fired, we really feel the impact of the surround sound and subwoofer effects.

The only extras on the Phase 7 DVD are three DELETED SCENES which run about 9 minutes. The bulk of this is taken up by an extended scene from the second act which show how the pressure of the situation is putting a strain on Coco and Pipi's relationship.

Review Copyright 2011 by Mike Long