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Strippers vs. Werewolves (2012)

Well Go USA
Blu-ray Disc Released: 9/25/2012

All Ratings out of

Movie:
1/2
Video:

Audio:

Extras:


Review by Mike Long, Posted on 9/25/2012

When we watch a movie, theoretically, we should judge it on its own merits. But, of course, unless you've never seen another movie, you're going to judge the movie by how it compares to other movies which you've seen. We even go further than this and break components of movies down by sub-genre. For example, when it comes to werewolf movies, a lot can ride on the werewolf make-up. This usually comes down to the question is the creature a man-wolf or a wolf-man? I prefer werewolves which look like big wolves which walk on their hind legs, as seen in The Howling and the very underrated Bad Moon. I'm not a fan of a "monster" which is just a man who happens to have more hair and teeth. This is Achilles' Heel of the otherwise impressive show Teen Wolf. So, one of the attributes I was looking in Strippers vs. Werewolves was the look of the werewolves. Well, the werewolves here reminded me of the scene in Hot Shots: Part Deux where Osama Bin Laden was combined with his dog. In other words, they look silly. But, that’s only the beginning of the problems with this film.

Strippers vs. Werewolves opens in a nightclub where Justice (Adele Silva) is doing a strip-tease for Mickey (Martin Kemp), when the man sprouts fur and big ears (which stick straight out to the side). Terrified, Justice stabs the man in the eye with a silver fountain pen, killing him. As it turns out, Mickey was a werewolf and the other wolves in his pack soon discover that he’s missing. When they find his body, they are able to trace it back to the strip club. Meanwhile, Justice has yet to reveal her profession to her boyfriend, Scott (Martin Compston). That’s OK, as Scott hasn’t told Justice that he’s a werewolf and that he’s trying to find Mickey’s killer. Stripper Raven (Barbara Nedeljakova) has been dating occult investigator Sinclair (Simon Phillips), but he’s little help. Fortunately, club owner Jeanette (Sarah Douglas) and bartender Harry (Alan Ford) have experience with werewolves, so as the pack prepares to attack, the strippers arm themselves to fight back.

Strippers vs. Werewolves opens with Duran Duran’s classic song “Hungry Like the Wolf” and I thought to myself, “Getting the rights to that probably killed the budget.” And I think I was right. The movie has a slick look, but that’s where any element of value ends. The bulk of the film takes place in the “Vixens” club, with the other scenes having been shot in the street or in locations where we don’t get many wide shots. However, not looking expensive, is the least of the worries here.

For starters, the story is very limited. Granted, the movie lives up to its title, but it barely goes beyond that. Justice kills Mickey, the werewolves want revenge, and a fight happens. That’s about it for the storyline. The movie tries to pad its running time by delving into the lives of the strippers. Along with the relationships between Raven and Sinclair and Scott and Justice, we also have a side-story where the bouncer at Vixens is attracted to one of the strippers. As for the werewolves, they are portrayed as ordinary gangsters and thugs who just happen to sprout make special effects makeup at times. Well...some of them do, apparently there wasn’t enough money to make everybody a werewolf or some actors refused, but the gang is made up of werewolves and werewolves-in-name-only. I can’t believe that it took two people to write this. The movie contains only one plot twist -- the Justice and Scott thing -- and only one somewhat unique idea.

The weirdest thing about Strippers vs. Werewolves is the pacing. Not only does the story feel like it’s been padded, the movie chooses to cut back and forth between these various stories at the oddest times. On top of that, the scenes, even the action scenes, feel like there is one too many beats between each action. It’s as if the editor didn’t want things to be too quick-cut, so a few frames were left on the tail end of each shot. Because of this, the movie never gains any momentum and the entire thing feels like a series of stops and starts.

You probably think that I’m crazy to expect anything of quality from a movie called Strippers vs. Werewolves, but I do always hope for the best. The movie wants to be something akin to Shaun of the Dead and there are a few funny lines here, but it simply can’t get out of its own way. The werewolves are laughable, the action scenes are dull, and in what many will find to be the ultimate insult, the strippers don’t strip. Strippers vs. Werewolves is better than Zombie Strippers!, but that’s not saying much. The worst news here is that the ending appears to be setting up Strippers vs. Vampires. Something tells me that it will suck in more ways than one.

Strippers vs. Werewolves actually trots out more than one “Little Red Riding Hood” jokes on Blu-ray Disc courtesy of Well Go USA. The film has been letterboxed at 2.35:1 and Disc contains an AVC 1080p HD transfer which runs at an average of 24 Mbps. The image is sharp and clear, showing on distracting grain and no defects from the source materials. The colors look good, most notably reds, but the image is a bit dark at times. The level of detail is good (well, for us, not for the actresses) and the depth is acceptable. The Disc carries a DTS-HD Master Audio track which runs at 48 kHz and an average of 2.0 Mbps. The track provides clear dialogue and sound effects. The movie is filled wall-to-wall with techno and dance music, much of which doesn’t match the action, which fills the speakers and gives the subwoofer a workout. The surround sound effects in the club and during the finale are fine and we get a few nice stereo effects.

The Strippers vs. Werewolves Blu-ray Disc contains only three extras. We begin with an AUDIO COMMENTARY from Producers Jonathan Sothsott and Simon Phillips. "Behind the Scenes" (11 minutes) contains interviews with the cast and producers. Each actor takes describing their character and this takes up half of the running time of the piece. From there, we get a look at the special effects makeup and what condition were like on-set. The final extra is the ORIGINAL TRAILER for the film.

Review Copyright 2012 by Mike Long